I took pics while rebuilding the bridge plate on the Gibson.
You can see the inside at
Opening up the B45
The Colonial is a catalog guitar from the 1920's, I think. It has a couple
of cracks that have been filled, not very carefully, with epoxy.
You can see a guitar like this in the movie Dust Bowl Blues with
David Carradine. This one is not as ornamental. I bought it from Lark Street Music when it was located on Lark Street in Albany New York circa 1980. I worked nights at an answering service so I could ride and race bicycles during the day. This guitar was quiet and small enought to plunk out some tunes during the quiet night hours.
My wife secretely bought the AC-15 from my old friend Fred Fountain in Troy. It shows normal wear for a 20-25 year old guitar that has been played. The AC-15 has a laminated cedar top and obancole (like mahogany) sides. I think the AC-15 sounds brighter than
the AC-30 I sold in 2009.
According to some email I received in April 2009 from Svein from norway, he got (from his mother) an Aria AC-15 with an original guarantee note and receipt dated 16th May 1972, so this guitar was made well before 1977.
The Yamaha has a lot of dents and scratches, but no cracks. The neck
is fatter and more solid than the Aria; this guitar has more sustain than a normal
classical guitar. A lot of G-55's came from Japan, but this model, G-55-1, comes
from Taiwan. The yamaha web site says this about the G55, but I'm not sure
that it applies to this model:
Year(s) Sold: 1976
Original MSRP: $ 90.00
Top: Spruce
Back / Sides: Agathis
Neck / Fingerboard: Nato / Bubinga
The action is high but there is room to lower the bridge.
The Royal Domino cost 25 bucks at a yard sale. I opened it up and removed tons of
soft gel-like glue from the braces, reset the neck and now it sounds kind of
funky, in a Stella-like way. It is definitely a 'sound effect' guitar, hard to play, but useful for old funk.
The Gibson is from 1963 but it has all the original finish removed with
and some mother of perl and hand painted applique. It is a B45-12.
Gibsons like this aren't as 'jangly' as my Taylor. Leo Kottke said the B45-12 from the
early 60's was the best 12-string ever made. I'm not sure. This B45 sure has an interesting recording tone that can be very useful. There seems to be very little midrange. It's a good solo guitar that displays interesting width and phase artifacts.
You can hear this particular guitar on "Salute to Lightnin'"
here
12 String Musings
- Blogging about 12-string guitars, songs, and players
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